Storyboarder

This page contains a collection of storyboards and animatics I've made over the years. Often when creating anything animated I will create animatics and/or storyboards to help me plot out the action and make the pacing is good. Below you can find some of these animatics catergorised between various projects.

Personal Projects

Critical Role is a very successfull Dungeons and Dragons series boardcast on Twitch that I'm a big fan of. Because of that I decided to spend some of my free time to animate animatics of certain moments from within the show and through them up on youtube. These animatics did very well and garnered me a lot of subscribers on youtube.

Please note, Fjord and Beau's Detective Adventure is a animated animatic collaboration I arranged with several other artists.

To date 100 Worlds Away is the largest production I've attempted single handedly. I learnt a lot during the production and created several animatics to aid me when planning out the series visually.

Junky Towers is a short film concept I created for a storyboarding contest promoting enviromental awareness. It depicts a character (called Mohawk) living in what appears to be a junk yard. They grow sick of a life of scavenging and junk collection and find inspiration in a magazine depicting a space elevator. Thus they begin building a large junk tower to space in hopes that space isn't full of junk. When they finally reach space they are horrified to discover space junk floating in space.

Unlike most of my other works I have yet to put this into an animatic form but I hope a slideshow is enough to get the picture.

POV Shot: Stars in the sky, gently shining.

POV Shot: Mohawk's hand enters frame and cups a star, showing Mohawks interest in space.

Extreme Long shot: Surroundings revealed. It appears to be a large junkyard and Mohawk is relaxing on top of a filthy looking caravan.

Extreme Long shot: Mohawk's arm relaxes and rest on their chest.

Extreme Long shot: Mohawk breathes in.

Extreme Long shot: Mohawk sighs out, showing a sence of longing or dissatisfaction.

Extreme Long shot: Mohawk sits, turns around and reaches for something.

Extreme Long shot: Mohawk pulls a hatch on the roof of the caravan open.

Extreme Long shot: Mohawk climbs down through the hatch.

Extreme Long shot: Whilst the shot remains the same a hard cut to morning reveals the sun rising.

Extreme Long shot: An alarm is heard going off inside the caravan.

Close up: Mohawk's face is center frame. Clearly being rudely woken up.

Close up shot: Mohawk lets out a tired sound as they awaken, clearly not all that rested.

Close up shot: Mohawk turns looking off screen, annoyed.

Long shot: Shot outside the caravan, the window is open.

Long shot: A still ringing alarm clock gets thrown through the open open.

Long shot: The alarm clock lands off screen, the ringing stops. It's safe to assume it's broken.

Long panning shot shot: A slow panning shot right to left of the interior of the caravan. Mohawk is seen leaning on the window sill, probably looking at where the alarm clock landed.

Long panning shot: Mohawk turns back to the interior of the caravan.

Long panning shot: Mohawk gets out of bed fully and stretches.

Long panning shot: Mohawk begins walking towards the bathroom, clearly enjoying the results of the morning stretch.

Long panning shot: They turn on the tap, water begins filling the sink basin as Mohawk leans on the shower wall.

Long panning shot: Mohawk faces the sink and braces themselves raising themselves up.

Long panning shot: Mohawk slams their head into the full basin, getting water everywhere and soaking their heads.

Long panning shot: They continue to walk to the left of the shot, hair dump and unnamused.

Long panning shot: They enter the living room/kitchen areas of the caravan. Their hair begins drying.

Long panning shot: Mohawk continues towards the fridge, hair pretty much dry now.

Long panning shot: Upon reaching the fridge Mohawk both begins to open it and lean down and pick up their backpack.

Long panning shot: Picking up the backpack Mohawk begins rummaging in the fridge.

Long panning shot: Mohawk begins swining around whilst still rummaging in the fridge. The pan has slow down and now appears to be travelling back the way it came.

Long panning shot: Turning back towards the way they came, Mohawk pulls out a sandwich and appears overjoyed. They also very smoothly close the fridge door with their foot, as if they've done this a lot.

Long panning shot: Quickly eating the sandwich Mohawk travels back towards the door seen earlier.

Long panning shot: Mohawk reaches the door and faces it whilst putting one arm through the backpack strap.

Long panning shot: Then the other strap.

Long panning shot: Finally Mohawk reaches for the door.

Extreme Long shot: Same shot from earlier, Caravan door begins opening. Mohawk is looking around a little on guard.

Extreme Long shot: Door fully open, Mohawk is looking the other way.

Extreme Long shot: Happy with that Mohawk happily lifts there leg to step outside proper.

Extreme Long shot: Mohawk steps outside with no issues.

Extreme Long shot: Takes a deep breath in, ready to face the day.

Extreme Long shot: Unfortunately Mohawk lives in a horrible junk yard and the air is gross, causing Mohawk to cough comically.

Extreme Long shot: Mohawk covers their mouth and nose.

Extreme Long shot: Leaning back they begin rummaging around the inside of the doorway clearly trying to retrieve something.

Extreme Long shot: leaning back, Mohawk fills out a make-shift breathing mask. They pull the elastic comically far around their head.

Extreme Long shot: Letting go the mask snaps to Mohawk's face.

Extreme Long shot: Mohawk takes another breath in, testing the mask.

Extreme Long shot: Mohawks hand raises giving a thumbs up, showing the mask works.

Extreme Long shot: Leaning forward they kick the caravan door close.

Extreme Long shot: Mohawk begins walking to the right.

Establishing shot: The camera fades showing even more of Mohawk's surroundings, which is still a never ending junk yard.

Establishing Long shot: The camera fades even further out showing the curve of the earth, with nothing but junk and rubbish as far as the eye can see.

Long shot: The camera pans upwards revealing large junk piles and Mohawk rummaging.

Mid shot: An upwards camera shot pointed at Mohawk, who is reaching off camera.

Mid shot: Mohawk seems to rummaging around off camera.

Mid shot: Mohawk raises up slightly, seemingly having found something.

Mid shot: Mohawk picks up an old milk carton and pulls it into frame, examining it. Flies buzz around the open top.

Mid shot: Mohawk places the open carton under their nose after pulling their mask down.

Mid shot: Mohawk sniffs the openning of the carton.

Mid shot: Mohawk shifts the carton away.

Mid shot: Mohawk takes a swig of the carton.

Mid shot: Mohawk shifts the carton away to smack their lips.

Mid shot: Lip smacking continues.

Mid shot: Small pause as Mohawk stares into the middle distance.

Mid shot: Mohawks face becomes more detailed as they begin throwing up. Mohawks other hand raises up to emphise the action.

Long shot: Mohawks throws the carton away in disgust.

Long shot: Carton continues flying.

Long shot: Camera centered on the sun begins panning downwards.

Long shot: Camera continues to pan down revealing Mohawk attempting to open the trunk of a largely destoryed car.

Long shot: Camera finishes it's pan down. Mohawk still attempting to open the trunk.

Long shot: Mohawk pulls on the trunk, trying to open it.

POV shot from within the trunk: From within the truck cracks in the door can be seen.

POV shot from within the trunk: Mohawk opens the trunk.

POV shot from within the trunk: Mohawk turns downwards to look into the trunk (aka towards the camera).

POV shot from within the trunk: Mohawks looks to the right.

POV shot from within the trunk: Mohawks turns and looks to the left looking curious as if they've spotted something.

Over the shoulder shot: The shot change reveals that Mohawk has found a pistol in the back of the car.

Over the shoulder shot: Mohawk reaches for the pistol.

Mid shot: Shot changes to show Mohawk picking up the pistol as if they don't know what it is.

Mid shot: Mohawks examines the pistol by looking down the barrel of the pistol... which is crazy dangerous.

Mid shot: Mohawks cradels the pistol still looking confused.

Mid shot: The pistol fires, Mohawks rears back in shock, a spent shell is ejected from the gun. Bottles in the background are shattered by the bullet.

Mid shot: The spent shell continues to fall, Mohawks stares in shock at the direction the bullet fired in. Visible sweat begins to appear on Mohawk.

Mid shot: The spent shell continues to fall off screen.

Mid shot: Mohawk stares down at the pistol looking terrfied and pushing the gun slightly further away from themselves.

Long shot: Mohawk rears back looking angered in preparation to throw the pistol away.

Long shot: Mohawk over hand throws the pistol away, still looking annoyed.

Long shot: Mohawk stands up straight looking curious towards the direction they threw the gun.

Long shot: Mohawk suddenly looks worried at something off screen.

Long shot: The gun lands off screen and fires again resulting in the bullet smashing into the side mirror of the car. Mohawk cowers away from the bullet direction.

Long shot: Mohawk remains in the same position. Their eyes open looking shocked.

Long shot: Camera pans left. Piles of junk in the foreground and background.

Long shot: Camera finishes pans left revealing wardrobe.

Long shot: Boot comes flying out of the wardrobe.

Long shot: Boot continues it's arc. A pan also gets thrown out of the wardrobe.

Long shot: Boot flies off camera. Pan continues its arc. A sword flies out of the wardrobe.

Long shot: Pan flies off camera. Sword continues its arc.

Long shot: Sword flies off camera. Mohawk leans out of the wardrobe having seemingly found something still within.

Long shot: Mohawks tilts their head, their expression chaing to one of curiousity.

Long shot: Mohawks pulls out what appears to be a magazine from within the wardrobe. They hold it out to the side staring at it with interest.

Long shot: Magazine pages begins unfurling. Mohawk's expression changes to a more nuetral one.

Long shot: Magazine pages finishes unfurling.

Long shot: Mohawk tilts their head in confusion whilst staring at the magazine page.

Over the shoulder shot: New shot angle reveals the contents of the magazine spread. It appears to be a space elevator. The camera begins a pan upwards to reveal everything.

Over the shoulder shot: The camera continues pan upwards to reveal everything.

Over the shoulder shot: The camera ends pan upwards to reveal everything.

Close up shot: Mohawk stares at the magazine looking quizical.

Mid shot: Mohawk's backpack falls into frame.

Mid shot: Mohawk's backpack lands on the ground.

Mid shot: Mohawk reaches over to open the backpack.

Mid shot: Mohawk opens the backpack.

Mid shot: Open backpack.

Mid shot: Mohawk places the magazine within the open backpack.

Long shot: Mohawk begins straightening up putting the backpack back on.

Long shot: Mohawk finishes straightening up. Puts the other backpack strap on.

Long shot: Mohawk rests hands on backpack straps.

Long shot: Mohawk begins walking off into the junkyard.

Long shot: Mohawk continues walking off into the junkyard. Camera begins panning upwards.

Long shot: Camera finishes panning upwards stopping at the sun.

Long shot: Smash cut to the sky at night. Camera begins pan downwards.

Long shot: Camera finishes panning downwards stopping at Mohawks home at night.

Long shot: Mohawks walks into frame, dragging their backpack behind them looking exhausted after a long day of scavenging.

Long shot: Mohawks continues walking towards their home.

Long shot: Mohawks turns to face their home.

Long shot: Mohawks begins raising their arm.

Long shot: Mohawks begins rests hand on door.

Mid shot: Mohawk rests their head against the door, eyes closed..

Mid shot: Mohawk sighs.

Mid shot: Mohawk finishes sighing, looking more tired.

Close up shot: Camera cuts to be slightly closer to Mohawks. Closed eye center frame.

Close up shot: Mohawk's eyes suddenly open looking both tired but determined.

Mid shot: Smash cut to outside the trailer with Mohawks arm sticking out from within, preparing to slam the door close.

Mid shot: Mohawk slams the door closed.

Mid shot: Smash cut to Mohawk about to hang up their mask on a hook drilled into the trailer wall.

Mid shot: Mohawk hangs their mask on a hook.

Mid shot: Mohawk's hand retreats out of frame, mask rests on the hook.

Mid shot: Smash cut to Mohawk in the process of openning their backpack.

Mid shot: Mohawk opens their backpack.

Mid shot: Cut to Mohawk holding up the openned backpack, light shining out from behind the backpack. Almost like the backpack contains the holy grail!

Long shot: Cut to Mohawk standing in their trailer holding their backpack up. The might from behind the backpack fades.

Long shot: Mohawk dumps the contents of the backpack on the bed.

Long shot: Bag now empty, Mohawks throws it behind them.

Long shot: Mohawk leans over the contents on the bed. The bag slaps into the wall of the trailer and begins falling.

Close up shot: Cut to a close up of the aquired stuff, it doesn't look impressive. There does appear to be a replacement alarm clock for the one destroyed earlier.

Close up shot: Cut to a shot of Mohawk looking down at their bounty. They seem to be intially excited.

Close up shot: Mohawk seems to loose enhuasism as they look at more of their junk.

Close up shot: Finally Mohawk's expression changes to one of boredom/annoyance.

Long shot: Return to long shot of Mohawk staring down at the collected junk. No longer looking excited.

Long shot: Mohawk straightens up and crosses their arms, still looking down on the junk.

Long shot: Mohawk lazily turns around leaning towards the bed. Still looking bored.

Long shot: Mohawk falls back onto their bed. Scattering the collected junk on the bed.

Long shot: Mohawk leg also falls onto the bed, relaxing. Junk falls off screen.

Long shot: Small pause. Mohawks continues dejectedly resting on their bed.

Close up shot: Cut to a shot focusing on Mohawks face. They look dead inside and very tired. A small flicker from their eyes shows they are deep in thought.

Close up shot: Mohawks closes their eyes and breathes softly and falls asleep.

Close up shot: The background of Mohawk's bed fades away as we seemingly enter their dream.

Close up shot: Mohawk suddenly becomes aware that their bed is no longer under them and open their eyes in shock.

Close up shot: Mohawk looks left, still alarmed.

Long shot: Camera pulls back to a long shot revealing Mohawk is standing in what appears to be a white void. Their expression settles down somewhat to more of a look of curiousity or general confusion.

Long shot: Mohawk look towards to upper left, still confused.

Long shot: Suddenly a wall of junk slides into frame on the left side of the screen, alarming Mohawks who crouches ready to leap away if needed.

Long shot: Suddenly a wall of junk slides into frame on the right side of the screen. The Left junk wall slows it's advance. Mohawk notices the new wall of junk and remains crouched but even more alarmed.

Long shot: Both walls slow their advance eventually stopping. Mohawk looks to the left looking alarmed and upset.

Long shot: Both walls retreat slightly. Mohawk looks confused and still alarmed.

Long shot: Both walls suddenly advance rapidly with Mohawk shooting up screaming in shock.

Long shot: Both walls slam together seemingly crushing Mohawk.

Long shot: Camera begins panning upwards as muffled digging can be heard.

Long shot: Muffled digging continues as the camera pans to the top of both walls.

Long shot: Camera stops panning. Muffled digging is getting louder.

Long shot: Camera stops panning. A smile pile of junk begins rising up, as if it's about to errupt.

Long shot: Mohawk's arm errupts out of the junk.

Long shot: Mohawk's arm bends down, rest on the junk wall, seemingly preparing to pull the rest of themselves out of the junk.

Long shot: Mohawk's arm pushes on the junk wall.

Long shot: Mohawk manages to pull their shoulder from the junk.

Long shot: More of Mohawk's body is freed from the junk.

Long shot: Mohawk's upper body and head is suddenly freed from the junk with a "pop" sound. Their other arm is still stuck. They look shocked.

Long shot: Mohawk's expression changes to one of anger and determination as they look at the junk below them. Seemingly getting ready to pull the rest of themself out.

Long shot: Mohawk leans back as they struggle to free their other arm.

Long shot: The other arm suddenly breaks free of the junk and Mohawk holds it aloft looking happy at this result.

Long shot: The junk that was also freed as Mohawk freed their arm falls back into the junk walls.

Long shot: Mohawk with their newly freed arm rests it atop the walls in preparation to free themselves further.

Long shot: Mohawk squints in preparation.

Long shot: Mohawk bends down.

Long shot: Mohawk straightens up but leaning to the right trying to pull their lower body free.

Long shot: Mohawk bends down again, preparing for another attempt.

Long shot: Mohawk straightens up leaning to the left trying to pull their lower body free.

Long shot: Mohawk bends down again, preparing for another attempt.

Long shot: Mohawk straightens up, trying to pull their lower body free. This seems to be the biggest push yet.

Long shot: Mohawk begins screaming at the effort.

Long shot: Mohawk suddenly shoots out of the junk wall flying into the air like a rocket.

Long shot: Junk picked up by the launch fall back to the junk wall as the smoke caused by Mohawk's launch begins to clear.

Long shot: The camera begins panning up following Mohawk's launch.

Long shot: Camera continues to pan, bizarrely going through some cloud cover.

Long shot: Camera continues to pan, going through some clouds into space.

Long shot: Camera finishes it's pan upwards, revealing Mohawk floating in space, looking confused.

Long shot: Mohawk gently floats in space tilting to the right.

Long shot: Whilst tilting to the right Mohawk looks right, confused.

Long shot: Whilst tilting to the right Mohawk looks to the left, still confused.

Long shot: Whilst tilting to the right Mohawk looks straight ahead.

Long shot: Mohawk's expression changes, gaining a small smile.

Long shot: Mohawk happily stretches out.

Long shot: Mohawk tucks their arms behind their head and crosses their legs happily floating in space.

Long shot: Mohawk continues to float in space, tilting to the right. Finally free of junk and at peace.

Long shot: Suddenly an alarm is heard echoing through space. Mohawk looks understandably confused.

Close up shot: Cut to a shot of Mohawk struggling to remain asleep with their eyes closed. The alarm can be heard ringing.

Close up shot: Mohawk suddenly wakes up screaming up in alarm.

Long shot: Mohawk flailing in bed.

Long shot: Mohawk continues flailing in bed.

Long shot: Mohawk sits up looking shocked.

Long shot: Mohawk looks irritated staring at the source of the alarm.

Close up shot: Cut to a close up of the digital clock gathered during the previous days scavenging. The alarm is ringing with the words "NO SLEEP" displayed on it's screen.

Long shot: Cut to a shot outside the trailer's open window.

Long shot: The alarm clock is thrown out of the trailer through the open window, just like the previous alarm clock.

Long shot: The alarm clock smashed off screen and the alarms stop.

Long shot: Cut to a longshot from within the trailer facing the open window where Mohawk kneels on the bed looking outside.

Long shot: Mohawks turns their head, looking a little sad.

Long shot: Camera follows Mohawk as they turn around and slump down on the bed leaning against the wall below the window, looking bored.

Long shot: Mohawk looks right, tilting their head slightly.

Long shot: Still slumped Mohawk looks left.

Long shot: Still slumped Mohawk looks straight ahead.

Long shot: Still slumped Mohawk looks increasingly sad.

Long shot: Still slumped Mohawk suddenly has tears in their eyes as they begin reflecting on their unfufilling life.

Long shot: Mohawk suddenly brings up their knees wrapping their arms around their knees, hiding their face behind them.

Long shot: Mohawk tilts to the left, slumping onto their side on the bed.

Close up shot: Cut to a close up of Mohawk's face pressed against their knees.

Close up shot: Mohawk stills looks sad as they lift their face from their knees.

Close up shot: Mohawk suddenly spots something and looks curious.

Over the head shot: New shot reveals Mohawk is staring at the open page of the space elevator found in the magazine dug up the previous day.

Close up shot: Return to the previous shot. Mohawk still looks curious.

Close up shot: Suddenly Mohawk's eyes light up as it appears they are hit by inspiration.

Long shot: Cut to the shot outside the trailer.

Long shot: Camera pans back slightly as Mohawk kicks the door of the trailer open.

Close up: Cut to a close up shot near the ground facing the doorway of the trailer. Mohawk's left foot enters frame landing on the ground.

Close up: Mohawk's right foot enters the frame and touches down.

Close up: Mohawk's right foot settles down.

Mid Shot: The camera begins pulling back and panning upwards revealing more of Mohawk.

Mid Shot: The camera continues pulling back and panning upwards revealing Mohawk with their fist cletched infront of them, looking determined. Mohawk has a plan. Mohawk also has their mask on.

Long shot: Cut to the previous shot outside the trailer. Mohawk is still there staring into the middle distance with fist clasped.

Long shot: Mohawk suddenly grasps their backpack straps and begins running to the right out of frame.

Long shot: Mohawk leaves frame.

Long shot: The shot remains as the sun drifts through the sky as time passes.

Long shot: Mohawk re-enters frame from the right side walking in carrying a huge mound of junk.

Long shot: Mohawk continues walking to the left carrying a huge mound of junk.

Long shot: Mohawk stops holding out the mound of junk in front of themself.

Long shot: Mohawk merrily drops the mound on the ground.

Long shot: The day skips forward slightly. Showing Mohawk balancing the barrel and pipes ontop of the mound.

Long shot: The day skips forward again slightly reaching nighttime. Mohawks cannot be seen but the mound remains.

Long shot: The day skips forward, the sun rises on a new day.

Long shot: The trailer door sudden bursts open as Mohawk does a flying kick through it.

Long shot: Mohawk lands in a power pose.

Long shot: Mohawk again grasps the straps of their bag and runs off screen.

Long shot: Mohawk runs off screen.

Long shot: The day skips forward again.

Long shot: Late in the day Mohawk returns with a wheelbarrow with a large mound of junk contained within.

Long shot: Mohawk continues to wheel in the large mound of junk.

Long shot: Mohawk up ends the wheelbarrow causing the wheelbarrows junk pile to fall onto the previous days collection. .

Long shot: The day skips ahead to night time. The wheelbarrow remains upended on the junk pile. Mohawk is seen sleeping ontop of the trailer with their mask removed and dangling off of the trailer.

Long shot: The day skips ahead again to sun rise. Mohawk appears to have turned over in their sleep, one of their arms dangling off of the trailer. This arm is holding Mohawk's mask.

Long shot: Mohawk predictably turns again in their sleep and falls off of the roof landing on their face.

Long shot: Very much awake Mohawk rears up clutching their face seemingly in pain.

Long shot: Mohawk wipes their face whilst reaching for their dropped mask.

Long shot: Picking up the mask Mohawk stretches the mask straps around their head.

Long shot: Letting the straps go the mask slaps into place on Mohawk's face.

Long shot: Small skip ahead to Mohawk rummaging around the open door of their trailer.

Long shot: Mohawk pulls their backpack out of the trailer and begins putting it on.

Long shot: Again grasping the backpack straps, Mohawk turns around and casually kicks the door to the trailer closed.

Long shot: Mohawk runs off screen again.

Long shot: The day skips ahead again.

Long shot: The day skips ahead again. Late in the day Mohawk returns with another huge mound of junk being carried.

Long shot: Time skips ahead again. The mound is now bigger and Mohawk is atop of the mound seemingly working a pipe into the tip of the pile.

Long shot: Mohawk works the pipe into the pile.

Long shot: Time skips ahead to night time. Mohawk cannot be seen.

Long shot: Time skips ahead to a new day. The trailer door is again open with Mohawk running off screen.

Long shot: Time skips ahead.

Long shot: Time skips ahead. The pile is bigger and Mohawk is power posing ontop of a crate worked into the tip of the mound.

Long shot: Time skips ahead to night time.

Long shot: Time skips ahead to a new morning. Again Mohawk is seen running off screen. Trailer door again left open.

Long shot: Time skips ahead again.

Long shot: Time skips ahead again. Late in the day the pile is now taller with a ladder worked into the mix.

Long shot: Time skips ahead again to night.

Long shot: Time skips ahead again to morning. Mohawks again seen running off screen.

Long shot: Time skips ahead again to later in the day. The pile is even bigger.

Long shot: Time skips ahead again to nighttime.

Extreme Long shot: The shot changes to a more extreme longshot deplicting the tower of junk.

Extreme Long shot: Time skips ahead to nighttime. The tower is taller.

Extreme Long shot: Time skips ahead to daytime.

Extreme Long shot: Time skips ahead to nighttime. The tower is even taller.

Super Extreme Long shot: The shot changes to one even further away. Time skips ahead to daytime. The tower of junk is tall but is yet to reach out of frame.

Super Extreme Long shot: Time skips ahead to nighttime. The tower of junk is taller.

Super Extreme Long shot: Time skips ahead to daytime.

Super Extreme Long shot: Time skips ahead to nighttime. The tower is tall enough to reach out of frame.

Super Extreme Long shot: Time skips ahead to daytime. The tower is tall enough to reach out of frame.

Super Extreme Long shot: Time skips ahead to nighttime. The tower is tall enough to reach out of frame.

Super Extreme Long shot: Time skips ahead to daytime. The tower is tall enough to reach out of frame.

Super Extreme Long shot: Time skips ahead to nighttime. The tower is tall enough to reach out of frame.

Super Extreme Long shot: Time skips ahead to daytime. The tower is tall enough to reach out of frame.

Long shot: Cut to presumably the top of the tower. It's clearly very high up.

Long shot: Mohawk's hand reaches up over the lip of the tower.

Long shot: Mohawk's hand bends and rests ontop of the junk tower.

Long shot: Mohawk begins struggling to pull themselves up, their mask is on.

Long shot: Mohawk gets their head over the lip of the tower, clearly struggling.

Long shot: Mohawk gets their other arm onto the ledge.

Long shot: Mohawk gets one of their legs onto the ledge. There is a rope tied around Mohawk's waist.

Long shot: Mohawk rolls onto the ledge.

Long shot: Mohawk grabs hold of the rope around their waist.

Long shot: Kneeling, Mohawk begins pulling on the rope pulling something up.

Long shot: Kneeling, Mohawk continues pulling on the rope pulling something up.

Long shot: Kneeling, Mohawk continues pulling on the rope pulling up what is revealed to be a ladder.

Long shot: Kneeling, Mohawk reaches over the ledge grabbing the ladder.

Long shot: Kneeling, Mohawk pulls the ladder up holding it over their head.

Long shot: Still holding the ladder above their head, Mohawks begins standing up and turning around.

Long shot: Having fully turned around, Mohawk places the ladder down ontop of the ledge.

Long shot: Mohawk reaches over their shoulder into their backpack.

Long shot: Mohawk pulls out a fishbowl from within their backpack which they hold above their head for a second.

Long shot: Mohawk pulls the fishbowl onto their head, seemingly trying to sqweeze their head inside.

Long shot: Mohawk's head pops inside the fishbowl.

Long shot: Mohawk's head safely within the fishbowl, they turn to the ladder preparing to climb it.

Long shot: The shot changes to one seemingly from space looking down on some clouds.

Long shot: Some of the cloud begins bubbling up, as if it's about to errupt.

Long shot: Mohawk's head errupts from the cloud, eyes closed.

Long shot: Mohawks opens their eyes, shining with the possibility of peace.

Long shot: Mohawk blinks.

Long shot: Mohawks opens their eyes, shining with the possibility of peace.

Long shot: Mohawk blinks.

Long shot: Mohawks opens their eyes, shining with the possibility of peace.

Long shot: Mohawk blinks.

Long shot: Mohawks opens their eyes, shining with the possibility of peace.

Long shot: Eyes still shining the look curiously to the left.

Close up shot: Shot changes to a close up shot of Mohawk's face. Eyes still shining looking curiously towards the camera.

Close up shot: Mohawk's expression changes to one of horror.

Over the Head Shot: Shot changes to reveal that Mohawk is staring in horror at space junk. Even here they cannot escape.

Smash cut to a title displaying the text "It'll all be junk in the end"

Text changes to "JUNKY TOWERS" and then the credits roll.